Collective
Rights Organizations | Contacting
the Owner
Changed Owner
| Authority
| In Writing
Difficulty Identifying
Owner | Unidentifiable/Unresponsive
Owner
Collective
Rights Organizations
Copyright
Clearance Center
If the work
is part of a book or a journal article, contact the
Copyright Clearance
Center ("CCC") first. The CCC offers
an electronic permission service and a well-established
photocopy based academic permission service. If the
work you want to use is registered with the CCC, you
can get permission within 24 to 36 hours. Permission
during peak times like the beginning of fall semester
will take longer.
Image
Archives
At this
time, the professional organizations representing
image creators cater to commercial interests and may
be unfamiliar with educational needs. Until organizations
catering more precisely to our needs emerge, these
are a sampling of your options.
Freelance
Writers
If the author
has retained copyright in a contribution to a periodical
such as a magazine or newspaper, permission may be
obtained through
Ingenta, which handles rights for the Publication
Rights Clearinghouse, a collective-licensing agency
representing such writers' groups as The National
Writers Union (NWU), the Canadian Science Writers'
Association (CSWA), the Periodical Writers Association
of Canada, the Society of Children's Book Writers
and Illustrators, and the United States Section of
the International Association of Art Critics, among
others.
Music
Performance
Music
Research Consultants' web
page contains links to publishers, record labels,
music rights agencies, and more. This is a good place
to gather contact information. If you know the name
of an artist, album, song or label, the All-Music
Guide allows you to search for more information
and often links directly to the source.
Play
Rights
- Samuel French,
Inc.
45 West 25th Street
NY, NY 10010-2751
Phone: 212-206-8990
Fax: 212-206-1429
- Anchorage
Press (Plays for young people)
PO Box 2901
Louisville, KY 40101-2901
Phone: 502-583-2288
Fax: 502-583-2281
- Baker's Plays
100 Chauncy Street
Boston, MA 02111-1783
Phone: 617-482-1280
Fax: 617-482-7613
|
- Dramatists
Play Services, Inc.
440 Park Avenue South
NY, NY 10016
Phone: 212-683-8960
Fax: 212-213-1539
- Music Theatre
International (Major musicals)
545 Eighth Avenue
NY, NY 10018-4307
Phone: 212-868-6668
Fax: 212-643-8465
|
News Archives
If the work
you need to use is from a newspaper or other news
organization, check the World Wide Web. Many of the
largest news organizations have placed archives of
their back issues online.
Movies
The Motion
Picture Licensing Corporation grants public performance
rights.
Contacting
the Owner
If you know
who the author and the publisher are, you can contact
them directly. If you do not know who the publisher
is, The Literary Marketplace (for books) or Ulrich's
International Periodicals (for journals), both published
by the R. R. Bowker Company, may help you. Project
Acorn provides extremely helpful information about
how to find copyright owners as does U.T. Austin's
Library Online.
If you visit these sites, spend some time there exploring
all the information they have provided about the whole
process of getting permission.
Once you
know whom to ask, writing a letter, calling or emailing
are all appropriate ways to initiate contact.
Changed
Owner
Sometimes
the apparent copyright owner is no longer the real
copyright owner. The Copyright
Office now provides online searching of some of
its registration records and performs professional
searches for a fee.
Confirming
Authority to Grant Permission
Whenever
it is unclear who the owner is, or if the owner is
a legal entity of some kind (a business or organization),
you should be sure that the person giving you permission
is authorized to do so. For example, if you are negotiating
with an author, question her about whether she retained
copyright or whether she assigned it to her publisher.
Sometimes people are unsure. If you are preparing
a commercial product, you will need absolute assurances
of authority to grant permission because your publisher
will expect those assurances from you.
Written
Permission
Ideally,
your permission should be in writing
and should clearly describe the scope of permission.
Vaguely worded permissions may not cover your intended
use. Be careful here: describe what you want to do
precisely and include alternatives if you are unsure
of format. For example, if you are preparing a Web-based
multimedia product, you may wish to distribute it
on a CD-ROM under some circumstances.
Permission
does not have to be in writing. If you receive oral
permission, precisely describe what you want to do,
and then document the conversation carefully. It wouldn't
hurt to send a confirming letter to the owner, asking
him or her to initial it and return it to you if it
accurately reflects your agreement.
Difficulty
Identifying Owner
If the author,
creator or publisher is not obvious, such as may be
the case for historical photographs, architectural
drawings, personal papers or other archival
materials, your task may be more difficult.
Try the following:
- Check with the source
of your copy of the work for any information about
who owns the copyright and how to contact the
owner. For example, the library where you found
the materials may own the copyright or know whom
to contact for permission to use the work or excerpts
from it.
- Check with your
source for an alternative work that is either
in the public domain or for which copyright ownership
can be more easily determined.
Unidentifiable/Unresponsive
Owner
Sometimes,
even if you go through all the right steps, you may
not figure out whom to ask or the owner may not respond.
There truly may be no one who cares about what you
do with a particular work, but the bottom line is
that no amount of unsuccessful effort eliminates liability
for copyright infringement. Copyright protects materials
whether the owner cares about protection or not.
(This
webpage is modeled after The Copyright Crash Course
developed by Georgia Harper, Office of General Counsel,
University of Texas System. Permission to model after
the site was granted by Ms. Harper. http://www.utsystem.edu/ogc/intellectualproperty/cprtindex.htm)